Mase amongst the rest of Bad Boy Artists Starting to Speak Out
50 Cent and Mase have aimed at Diddy regarding the sexual assault accusations he’s facing. Recently, the G-Unit mogul shared an old freestyle by Mase in which he directly criticizes Sean Combs.
On social media, one fan expressed, “This might be the most remarkable Ma$E verse ever!!!!”
In the freestyle, Mase delivers the following lines:
“Empty pipes when cliques get called, and go to church on Sunday, I’m the most exceptional of all. Don’t ever associate Mase with other Bad Boys who faced hardships; you know I get the crowd moving like a mosh pit, my friend.
On the level of lyrics, beneath contempt, I can never stoop so low. People are upset that I’ve reached the ‘I would never work’ stage. Since the days of Cain and Abel, I have the ability to defeat Cain. Love doesn’t steal, my friend, change your identity. I see no honor in your name, and I’m troubled by the spirit of St. James.”
“Champagne king, compare my Rolex, which is simple yet elegant. And I express gratitude that I haven’t changed. If no one ever found the culprit, why are people still alive?
Everyone is financially strapped, blaming the visionary. Some people are willing to sacrifice their principles just to attend a brunch and may end up looking foolish. I’ve experienced adversity, and people know I’m from a different neighborhood.
Forget about camaraderie; I’m focused on ensuring my mother is well. I’m not Sheek, but I’m colder than Ghost. Regardless of who makes the top five list, I’m one of the coldest. I embody the spirit of Wolf, the essence of RZA, presenting facts that you’ve never considered.
I represent the voiceless artists, acknowledging those who were left behind, from Craig Mack to G. Dep. I still remember those kids chanting, honoring every producer whose samples you’ve taken without permission.”
Sean “Diddy” Combs revealed that his feud with Mase had become a thing of the past. Two weeks after the music mogul had redistributed song publishing rights, including those of Mase and other artists formerly associated with Bad Boy Records, the tension had subsided.
Mase, a pivotal figure in Bad Boy Records’ early success, had previously publicly criticized Combs, alleging that he had offered $2 million for the publishing rights to his songs but was denied, accusing Diddy of being “extremely unfair.”
In an interview with Billboard, Combs had stated, “Everything was cool and good by then. You know, we were brothers, and brothers fought. I loved him, and that was it.”
This reconciliation had followed Combs’ decision to reassign music rights to Mase and other former Bad Boy artists or their estates, such as Notorious B.I.G. and Faith Evans, starting in 2021.
Mase had initially posted his grievances on Instagram around the time Combs received the 2020 Industry Icon award at Clive Davis’ pre-Grammy gala.
In that since-deleted Instagram post, Mase had accused Combs of unfair business practices that had disadvantaged artists and had criticized him for still owning publishing rights from 24 years ago, which he had acquired for a mere $20,000.
In the Billboard interview, Combs had explained that he had initiated the transfer of rights in May or June 2021 after self-reflection, acknowledging the need for a change in how he conducted business.
During that time, he had also mentioned his negotiations with the Grammys and receiving substantial offers for the Bad Boy catalog.
Consider it Diddy’s inaugural empire. After interning at Uptown Records in the early 1990s, the Harlem native embarked on his iconic venture, Bad Boy Records, in 1993. His inaugural roster featured stars like Craig Mack and The Notorious B.I.G., ultimately selling millions of albums and revolutionizing the landscape of hip-hop and the music industry as a whole.
Among the artists who graced the ranks of Puff’s illustrious label were household names, including Biggie, Faith Evans, New Edition, Ma$e, Total, and many others.
While Bad Boy Records has enjoyed a prolonged reign as one of the most influential hip-hop labels in history, it has also weathered its share of highs and lows. Tragically, Biggie’s untimely death in 1997 abruptly halted the career of one of rap’s greatest icons at the tender age of 24.
In 1999, the infamous Club New York shooting incident involving Puff and J. Lo led to Shyne’s imprisonment for eight years.
The same year, Ma$e retired at the peak of his success to devote himself to his faith. Several other high-profile signees either failed to launch or were disappointed with their output, ultimately departing from the company. Presently, Bad Boy’s roster comprises just four artists: French Montana, Machine Gun Kelly, Diddy himself, and his girlfriend Cassie.
Earlier this month, the hip-hop mogul revealed that he had secured a label partnership deal with Epic Records, transferring Bad Boy from under the Interscope umbrella to the Sony camp.
This move comes as Diddy prepares to release two new albums, including a solo LP and No Way Out 2, a sequel to Puff Daddy and the Family’s beloved 1997 project. As Diddy embarks on yet another chapter in Bad Boy’s extensive history, over 30 artists who have departed from the label over the years.
During their tenure at Bad Boy Records, many artists left their mark on the label and the hip-hop industry. Here’s a glimpse of some of the notable acts and their contributions but sadly, they all are either dead, or not doing as well as they should based on the Bad Bot name!:
- The Notorious B.I.G.: Biggie, one of the most iconic figures in rap history, released classic albums like “Ready to Die” and “Life After Death” under Bad Boy, solidifying his legendary status.
- Faith Evans: An R&B powerhouse, Faith Evans delivered soulful hits and collaborated with Biggie, showcasing her vocal prowess.
- Mase: Mase’s smooth flow and catchy hooks contributed to Bad Boy’s success in the late ’90s. His debut album, “Harlem World,” was a commercial triumph.
- Carl Thomas: Known for his emotive R&B tunes, Carl Thomas brought a soulful touch to the label with songs like “I Wish.”
- The LOX: Comprising Jadakiss, Styles P, and Sheek Louch, The LOX were known for their gritty lyricism and played a pivotal role in Bad Boy’s street credibility.
- 112: This R&B group churned out hits like “Cupid” and “Peaches & Cream,” adding a smooth, romantic vibe to the label’s roster.
- Danity Kane: A product of Diddy’s reality TV series “Making the Band,” Danity Kane achieved pop success with tracks like “Show Stopper.”
- Day26: Another “Making the Band” creation, Day26 showcased their vocal talents and R&B charm during their time with Bad Boy.
- G. Dep: Known for his unique flow, G. Dep contributed to the label’s diverse rap lineup.
- Total: This female R&B trio, consisting of Pam, Keisha, and Kima, scored hits like “Can’t You See” and “What About Us.”
- Black Rob: His debut album, “Life Story,” produced the hit “Whoa!” and showcased his lyrical skills.
- Shyne: Shyne’s debut self-titled album generated buzz, and he was known for his distinctive delivery.
- Janelle Monáe: An eclectic artist, Janelle Monáe’s early work with Bad Boy hinted at her future as a genre-blurring superstar.
- Red Cafe: This Brooklyn rapper contributed to Bad Boy’s legacy with tracks like “Paper Touchin'” and “Fly Together.”
- King Los: Known for his impressive freestyling abilities, King Los added a lyrical dimension to the label’s roster.
These artists, along with others listed,once played diverse roles in shaping the sound and image of Bad Boy Records during their respective tenures.
The label’s ability to blend rap and R&B, discover new talents, and produce chart-topping hits contributed to its influential position in the music industry.
- 8Ball & MJG: Hailing from the South, this duo brought their distinctive Southern rap style to the label and contributed to its regional diversity.
- B5: A youthful addition to Bad Boy, B5 brought a fresh sound to the label with their debut album and catchy tracks like “All I Do.”
- Cheri Dennis: An R&B songstress, Cheri Dennis showcased her vocal prowess and contributed to the label’s R&B catalog.
- Christian Daniel: Though lesser-known, Christian Daniel’s presence on the label highlighted Bad Boy’s commitment to nurturing diverse talents.
- Craig Mack: A trailblazer for Bad Boy, Craig Mack’s hit “Flava in Ya Ear” remains a classic, marking the label’s early success.
- Elephant Man: Adding a dancehall flavor to Bad Boy, Elephant Man brought his Jamaican influence to the label’s sound.
- Dream: This girl group, featuring talents like Melissa Schuman and Ashley Poole, contributed to Bad Boy’s pop and R&B crossover efforts.
- Fuzzbubble: Fuzzbubble’s rock influence showcased Bad Boy’s willingness to experiment with different genres.
- Mario Winans: Mario Winans’ R&B and gospel-influenced tracks, such as “I Don’t Wanna Know,” became chart-toppers and exemplified Bad Boy’s versatility.
- Loon: Loon’s distinct style added another layer to Bad Boy’s rap roster, and he collaborated with fellow artists on memorable tracks.
- New Edition: An iconic R&B group, New Edition’s association with Bad Boy brought them renewed attention and introduced their classic sound to a new generation.
- Yung Joc: Known for his hit “It’s Goin’ Down,” Yung Joc’s energetic presence contributed to the label’s early 2000s success.
- Diddy-Dirty Money: Diddy’s own group, featuring Dawn Richard and Kalenna Harper, explored a fusion of R&B and hip-hop, showcasing his artistic diversity.
- Aasim: Aasim’s presence on the label reflected Bad Boy’s commitment to nurturing emerging rap talents and expanding its artist diversity.
- B-5: B-5, a group of talented siblings, brought youthful energy and a pop-infused sound to Bad Boy’s repertoire.
- Da Band: As a product of “Making the Band,” Da Band’s journey was documented on television, showcasing the challenges and triumphs of building a rap group.
- Diddy: The man behind the label, Diddy’s own music career and collaborations have left a lasting impact on Bad Boy’s legacy.
- Editor’s Picks: This category acknowledges Bad Boy’s role in curating and promoting emerging artists, ensuring a fresh and evolving sound.
- Gorilla Zoe: Adding a Southern rap influence, Gorilla Zoe contributed to the label’s diverse rap roster with tracks like “Hood N***a.”
But now all of this is tarnished as people are now asking…WHY is everyone associated with Puffy, Diddy, Sean Combs, et.al are either dead, broke, or out of the industry? NOT ONE success story?
Read part two to this to hear the answer..Puffy, you in trouble girl! The Rooster has come to ROOST
[…] This pattern has been observed in other high-profile cases, including those of R. Kelly and Afrika Bambaataa. The narratives shared by these individuals further tarnish Diddy’s image and suggest that his empire may be on the verge of unraveling. […]